Get all 16 Stíny plamenů releases available on Bandcamp and save 35%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Jediný poskvrněný přítok, Staré skladby, Záře zápalných šňůr, 20 let kanalizačních zmetků, Šum v pološerech, Propadlé vody, Výprava za pravdou špíny, Mrtvá komora, and 8 more.
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Youth in Ribbons
by Revenant Marquis
supported by 10 fans who also own “Zavražděni krví a zasypáni listím (1999)”
Revenant Marquis continues with the subterranean vocals on this album. Percussion sound on all tracks has a very large sound, especially the bass drum. Guitar is generally very clean. The more I listen, the more I get Xasthur vibes, but with a more rock and roll influence. Still very depressive and chaotic. A cool album!
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Polterngeyst
by Revenant Marquis
supported by 9 fans who also own “Zavražděni krví a zasypáni listím (1999)”
Pitiless Black Emphasis a traumatisé vos tympans (et il y avait de quoi) ? Alors inutile d'insister : le deuxième album Polterngeyst est forgé dans le même moule, celui d'un raw black metal au son putréfié — un true raw black metal ? — et confirme qu'il n'y a pas d'essais ou d'erreurs de trajectoires avec Revenant Marquis. S nous met sous les yeux un passé décomposé enrichi de nouvelles nuances (dark ambiant, atmosphères irrespirables). Les morts sont partout, cognent dans les murs. Grandiose !
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Auprès de la mort, triomphant!
by Akitsa
supported by 8 fans who also own “Zavražděni krví a zasypáni listím (1999)”
I love everything Akitsa does.
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Oracular Hexations
by Diabolic Oath
featured on Bandcamp Radio Apr 12, 2024
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Nel Nome Del Codice
by KEYGEN CHURCH
The eerie grandeur of horror film pipe organ music gets an industrial lift on the latest killer from Keygen Church.
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Beyond The Palest Star
by VORGA
featured on Bandcamp Radio Mar 29, 2024
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Submission And Slavery
by Lamp Of Murmuur
supported by 8 fans who also own “Zavražděni krví a zasypáni listím (1999)”
listened Saturnian bloodstorm first, then this. Completely different band. Bloodstorm is Immortal, this is, well, different.
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